First off, there's plenty of things to complain about.
It lacks focus. The first season especially just seemed to fling every horror cliche at the wall in the hope that some of it stuck. This often results in narrative dead-ends, dangling story threads and straight-up plot holes, which usually drive me nuts.
Also, in the second series particularly, they often just forget the scary completely- which should be as big a crime as a comedy forgetting the funny.
Finally, and this is something I personally don't have much of a problem with, but can see why it would be off-putting to others; lots of stuff is explored that could be viewed as ill-suited to a trashy horror series- I'm talking here about physical and mental disabilities, rape, child abuse etc. This is even harder to justify when one considers the tongue-in-cheek tone of the programme.
But onto the things I like. What first grabbed me is that it is genuinely scary in places. Difficulty-sleeping-scary. For a horror aficionado, it's like a junkie discovering a new variant on a drug they'd long ago built up a near-total tolerance to. It's not important that it is shamelessly retreading old horror themes (and when did you last encounter an effective new horror theme?)- so long as they are handled well and in a reasonably fresh manner, which AHS achieves in spades.
The second thing that got me was the quality of the performances. With the exception of Dylan McDermott (who has the kind of blandly handsome face that makes it hard for me to see him as anyone other than Dylan McDermott) the cast are all impeccable and are given the material to really let rip. As everyone everywhere has noted, Jessica Lange is the undisputed queen, chewing up and spitting out every line she gets, but really everyone else nails their roles too. This is especially important in the second series where, as I mentioned above, the scares are a lot more thin on the ground than in the first. But the quality of the acting and the unfolding mysteries keeps me watching.
Which leads me on to the structure. The decision to have each season as a self-contained story, complete with new setting, characters and themes, is a masterstroke. Only when I'd started watching it did I realise how tired I'd got of having to 'get into' a series from the beginning, and the attendant compulsion to 'see it through to the end'. For one thing, it's become the way all TV shows are devised, and it's also totally at odds with the way the TV industry in the US works. How many shows have you got invested in, only for the network to pull the plug because viewing figures weren't up to snuff, and you're left with a rushed and unsatisfying conclusion. Or worse, a show that was never meant to last more than one or two seasons is a surprise hit, so the execs attempt to spin it out longer than it was ever meant to be. Watching AHS I was struck by the cleverness of their solution, and surprised that it hadn't been attempted before (to my knowledge, at least).
Also, as I touched on earlier, there's the tone. While I'm sure plenty of people will find the black humour doesn't jive for them with some of the sick shit that happens onscreen, for me it works great. It's just the right mix of the disturbing and camp- anyone who's ever loved a Hammer classic should appreciate what they've done here. It's a pleasant departure from recent trends in horror cinema that tend to go too far in one direction or the other. And as a tacit rebuttal to those who feel that some things are just too serious to address in a show like this- I think you can draw comparisons with how 'South Park' gets laughs. The topics under discussion are not themselves being made fun of (or in this case, being mined for cheap horror-thrills); they're being examined in an unusual, genre-specific manner. For example, when I first saw Abbie (a young girl with Down's Syndrome) appear in the pilot I initially balked, thinking 'Really? They're gonna go there?'- but I quickly realised the horrific elements derived from how other people, including her own mother, treat her.
I could go on about the other triumphs of the series (the roles of women and LBGT characters, undercutting expectations, pacing, production design, lighting...) but I've written enough here I think for now.
Horror for me is that most delicate of birds; bound by immutable tradition yet open to constant re-interpretation. Extremely common yet extremely difficult to pull off successfully. AHS isn't perfect, but it understands horror, doesn't condescend to its audience and pays its dues to history with swagger and conviction. For that it should be applauded.




